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There's a different moods that sets in at night I


There's a different moods that sets in at night
I can't decide to stay awake or sleep at night

Memories I avoid all day come to invade my peace at night
Putting up a facade all day
I am more me at night

It was the most dreaded part in  childhood to switch off the lights in night
Now more than lights I find the darkness more soothing in the night

You ask, what's so special about the night Reem
I say with a sigh, once me and He were very close in the night Here's a serene night prompt. A #nightghazal.

First invented by Amir Khusrao, a Persian poet in the 1300s, and first adopted in English by the Kashmiri-American poet Agha Shahid Ali in the 1980-90s, a ghazal has two elements: radeef and kafia. Radeef is what repeats in every line — "at night" in the above ghazal. Kafia is the rhyming words that precedes the radeef. The words that end with the sound -ear basically. #earatnight

In a ghazal, the first couplet—also known as matla, has kafia and ra

There's a different moods that sets in at night
I can't decide to stay awake or sleep at night

Memories I avoid all day come to invade my peace at night
Putting up a facade all day
I am more me at night

It was the most dreaded part in  childhood to switch off the lights in night
Now more than lights I find the darkness more soothing in the night

You ask, what's so special about the night Reem
I say with a sigh, once me and He were very close in the night Here's a serene night prompt. A #nightghazal.

First invented by Amir Khusrao, a Persian poet in the 1300s, and first adopted in English by the Kashmiri-American poet Agha Shahid Ali in the 1980-90s, a ghazal has two elements: radeef and kafia. Radeef is what repeats in every line — "at night" in the above ghazal. Kafia is the rhyming words that precedes the radeef. The words that end with the sound -ear basically. #earatnight

In a ghazal, the first couplet—also known as matla, has kafia and ra