Best earatnight Shayari, Status, Quotes, Stories

Mouni Kanna✍

Here's a serene night prompt. A #nightghazal. First invented by Amir Khusrao, a Persian poet and first adopted in English by the Kashmiri-American poet Agha Shahid Ali, a ghazal has two elements: radeef and kafia. Radeef is what repeats in every line — "at night" in the above ghazal. Kafia is the rhyming words that precedes the radeef. #earatnight In a ghazal, the first couplet have kafia and radeef in both the lines, but in the subsequent lines, only the second line of the couplet has the kaf #YourQuoteAndMine

Don't let your difficulties rule your night
Let the Dream World Hug You
and make your night more brighter
than the sky......... Here's a serene night prompt. A #nightghazal.

First invented by Amir Khusrao, a Persian poet and first adopted in English by the Kashmiri-American poet Agha Shahid Ali, a ghazal has two elements: radeef and kafia. Radeef is what repeats in every line — "at night" in the above ghazal. Kafia is the rhyming words that precedes the radeef. #earatnight

In a ghazal, the first couplet have kafia and radeef in both the lines, but in the subsequent lines, only the second line of the couplet has the kaf

Dr. Intaajuur Rahman

Here's a serene night prompt. A #nightghazal. First invented by Amir Khusrao, a Persian poet in the 1300s, and first adopted in English by the Kashmiri-American poet Agha Shahid Ali in the 1980-90s, a ghazal has two elements: radeef and kafia. Radeef is what repeats in every line — "at night" in the above ghazal. Kafia is the rhyming words that precedes the radeef. In the above, the words that end with the sound -ear basically. #earatnight In a ghazal, the first couplet—also known as matla, ha #YourQuoteAndMine

The visibility becomes low at night
And memories become clear at night... Here's a serene night prompt. A #nightghazal.

First invented by Amir Khusrao, a Persian poet in the 1300s, and first adopted in English by the Kashmiri-American poet Agha Shahid Ali in the 1980-90s, a ghazal has two elements: radeef and kafia. Radeef is what repeats in every line — "at night" in the above ghazal. Kafia is the rhyming words that precedes the radeef. In the above, the words that end with the sound -ear basically. #earatnight

In a ghazal, the first couplet—also known as matla, ha

Abhijeet Singh Yadav

Here's a serene night prompt. A #nightghazal. First invented by Amir Khusrao, a Persian poet in the 1300s, and first adopted in English by the Kashmiri-American poet Agha Shahid Ali in the 1980-90s, a ghazal has two elements: radeef and kafia. Radeef is what repeats in every line — "at night" in the above ghazal. Kafia is the rhyming words that precedes the radeef. In the above, the words that end with the sound -ear basically. #earatnight In a ghazal, the first couplet—also known as matla, has kafia and radeef in both the lines, but in the subsequent couplets, only the second line of the couplet has the kafia and radeef. The first line could be anything leading up to the second one. In the last couplet, poets include a maqta where they take their own name or pseudonym by mostly addressing themselves or making someone address them. For instance, if I were to write the maqta for the above ghazal, it'd be like this: If you ask, why do you stay up so late, Baba? I'll shyly admit I miss someone dear at night. #YourQuoteAndMine #Uttarakhand #Yadav #AbhijeetSingh #poetholicabhijeet

It is not important what do I wear at night.
I think that deep sleep is most important at night. Here's a serene night prompt. A #nightghazal.

First invented by Amir Khusrao, a Persian poet in the 1300s, and first adopted in English by the Kashmiri-American poet Agha Shahid Ali in the 1980-90s, a ghazal has two elements: radeef and kafia. Radeef is what repeats in every line — "at night" in the above ghazal. Kafia is the rhyming words that precedes the radeef. In the above, the words that end with the sound -ear basically. #earatnight

In a ghazal, the first couplet—also known as matla, has kafia and radeef in both the lines, but in the subsequent couplets, only the second line of the couplet has the kafia and radeef. The first line could be anything leading up to the second one. In the last couplet, poets include a maqta where they take their own name or pseudonym by mostly addressing themselves or making someone address them. For instance, if I were to write the maqta for the above ghazal, it'd be like this:

If you ask, why do you stay up so late, Baba?
I'll shyly admit I miss someone dear at night. #YourQuoteAndMine

Srilatha Gugunta

Here's a serene night prompt. A #nightghazal. First invented by Amir Khusrao, a Persian poet in the 1300s, and first adopted in English by the Kashmiri-American poet Agha Shahid Ali in the 1980-90s, a ghazal has two elements: radeef and kafia. Radeef is what repeats in every line — "at night" in the above ghazal. Kafia is the rhyming words that precedes the radeef. In the above, the words that end with the sound -ear basically. #earatnight In a ghazal, the first couplet—also known as matla, has kafia and radeef in both the lines, but in the subsequent couplets, only the second line of the couplet has the kafia and radeef. The first line could be anything leading up to the second one. In the last couplet, poets include a maqta where they take their own name or pseudonym by mostly addressing themselves or making someone address them. For instance, if I were to write the maqta for the above ghazal, it'd be like this: If you ask, why do you stay up so late, Baba? I'll shyly admit I miss someone dear at night. #YourQuoteAndMine

so many memories for you to cheer up for..
for another day has its end to pass another night..
enduring the happiness in spirit its alive..
and appreciate the darkness in the night..
pushing the boundaries for good time to be mine..
breaking the barriers of the day for a great night.. Here's a serene night prompt. A #nightghazal.

First invented by Amir Khusrao, a Persian poet in the 1300s, and first adopted in English by the Kashmiri-American poet Agha Shahid Ali in the 1980-90s, a ghazal has two elements: radeef and kafia. Radeef is what repeats in every line — "at night" in the above ghazal. Kafia is the rhyming words that precedes the radeef. In the above, the words that end with the sound -ear basically. #earatnight

In a ghazal, the first couplet—also known as matla, has kafia and radeef in both the lines, but in the subsequent couplets, only the second line of the couplet has the kafia and radeef. The first line could be anything leading up to the second one. In the last couplet, poets include a maqta where they take their own name or pseudonym by mostly addressing themselves or making someone address them. For instance, if I were to write the maqta for the above ghazal, it'd be like this:

If you ask, why do you stay up so late, Baba?
I'll shyly admit I miss someone dear at night. #YourQuoteAndMine

Ulfath Tahreem

Here's a serene night prompt. A #nightghazal. First invented by Amir Khusrao, a Persian poet in the 1300s, and first adopted in English by the Kashmiri-American poet Agha Shahid Ali in the 1980-90s, a ghazal has two elements: radeef and kafia. Radeef is what repeats in every line — "at night" in the above ghazal. Kafia is the rhyming words that precedes the radeef. The words that end with the sound -ear basically. #earatnight In a ghazal, the first couplet—also known as matla, has kafia and ra #YourQuoteAndMine

There's a different moods that sets in at night
I can't decide to stay awake or sleep at night

Memories I avoid all day come to invade my peace at night
Putting up a facade all day
I am more me at night

It was the most dreaded part in childhood to switch off the lights in night
Now more than lights I find the darkness more soothing in the night

You ask, what's so special about the night Reem
I say with a sigh, once me and He were very close in the night Here's a serene night prompt. A #nightghazal.

First invented by Amir Khusrao, a Persian poet in the 1300s, and first adopted in English by the Kashmiri-American poet Agha Shahid Ali in the 1980-90s, a ghazal has two elements: radeef and kafia. Radeef is what repeats in every line — "at night" in the above ghazal. Kafia is the rhyming words that precedes the radeef. The words that end with the sound -ear basically. #earatnight

In a ghazal, the first couplet—also known as matla, has kafia and ra

Zumi

Here's a serene night prompt. A #nightghazal. First invented by Amir Khusrao, a Persian poet in the 1300s, and first adopted in English by the Kashmiri-American poet Agha Shahid Ali in the 1980-90s, a ghazal has two elements: radeef and kafia. Radeef is what repeats in every line — "at night" in the above ghazal. Kafia is the rhyming words that precede the radeef. In the above, the words that end with the sound -ear basically. #earatnight In a ghazal, the first couplet—also known as matla, has #YourQuoteAndMine #ghazals_by_zumi

The mind is full of qualms, disdains and darkness,
But the moonlight glints bright and my mind is clear at night.

The ugly veneers and masquerades fall instantly
And my eyes oversee them and ink smears at night.

The benign zephyr chases the problems away
After I weep until my cheeks are washed with tears at night.

I try to keep my fears and anxieties intact in my heart,
But my mind seems to develop ears at night.

My soul inquires, why are you crying endlessly, Zumi?
And I admit bitterly, I'm missing someone not so dear at night. Here's a serene night prompt. A #nightghazal.

First invented by Amir Khusrao, a Persian poet in the 1300s, and first adopted in English by the Kashmiri-American poet Agha Shahid Ali in the 1980-90s, a ghazal has two elements: radeef and kafia. Radeef is what repeats in every line — "at night" in the above ghazal. Kafia is the rhyming words that precede the radeef. In the above, the words that end with the sound -ear basically. #earatnight

In a ghazal, the first couplet—also known as matla, has